Every isolation technique is answering the same question of how to reduce or eliminate the untrusted code’s access to that massive attack surface.
1977 年，塔可夫斯基在爱沙尼亚一个废弃的发电厂开启了《潜行者》的拍摄，这部影片借三个男人穿越“禁区”的神秘旅程，讲述了一个关于欲望和信仰的现代寓言，对信仰、希望和人性的探问贯穿影片。在日记中，塔可夫斯基记录着拍摄的艰辛，也记录着自己对这部作品的期待，他希望用镜头探讨人类的精神救赎。未承想，镜头里的荒凉和危险竟成了对现实的预言。影片的拍摄场地暴露在严重的环境污染下，最终让摄制组付出了惨痛的代价：主演阿纳托利・索洛尼岑、担任副导演的塔可夫斯基的妻子拉丽莎，还有塔可夫斯基本人，在拍摄结束后的几年里先后罹患癌症。病痛的阴影从此萦绕在他的日记里，成为他此后创作中无法回避的底色。
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England’s pursuit of a target of 160 was appearing increasingly forlorn until its 18th over, bowled by Glenn Phillips, which started with them needing an improbable 43 off 18 and ended, two sixes and a couple of fours later, with a manageable 21 required off 12. Ahmed started the next with another boundary to keep the momentum going and before the penultimate delivery the batters conferred. “I said: ‘I’ll get a single and you just have a free hit,’” Jacks said; he got his single and Ahmed deposited the final delivery into the stands. “That six pretty much won us the game,” said Jacks.